The Mai

From Wikipedia: Marina Carr (born 1964) is an Irish playwright. Born in Tullamore, County Offaly, Carr attended University College Dublin before holding posts as writer-in-residence at the Abbey Theatre and Trinity College Dublin. She served as Heimbold Professor of Irish Studies at Villanova University in 2003. Her award-winning plays-largely poetic tragedies of rural Irish domestic life-have been produced around the world. She currently lives in Kerry and is a member of Aosdána. Like the works of several other contemporary Irish playwrights, Carr's plays frequently include instances of black humor and severe physical brutality. She is distinguished, however, most notably by the fact that several of her plays are filled with classical Greek allusion or are loose retellings of classical Greek myths. In Carr's early work, she experiments with style as she seeks to find her own. Low in the Dark (1989), her first play, is an absurdist piece in which gender roles and misconceptions are farcically addressed. The style reflects her early interest in fellow Irish playwright Samuel Beckett. Carr's next few experiments are The Deer Surrender (1990), This Love Thing (1991), and Ullaloo (1991). She won the 1997 Susan Smith Blackburn Prize. Her following play, The Mai (1994), won Best New Play from the Dublin Theatre Festival and marked a shift in Carr's writing style.