Feelworld ATEM215S 21.5" 16:9 FHD SDI/HDMI Multi-Cam Broadcast Director Monitor

Complete monitoring solution for live production, broadcast and post productionSEETEC ATEM215S is a full HD broadcast monitor, equipped with 4x3G-SDI inputs and outputs, 1 x HDMI input interface and RS485, GPI control interface. Adopts Rec.709 color standard, display vivid images and professional effects. Rugged and durable aluminum housing; With 3D-LUT, waveform, vectorscope, histogram, peaking focus and other wonderful functions, all of functions can be easily operated and controlled via the front panel buttons. It supports VESA standard, and can be bracket-mounted or wall-mounted installation. It is an ideal monitor for live production, broadcast and post-production!21.5-inch Full HD LCDThe ATEM215S adopts a 21.5-inch LCD panel, with high resolution 1920x1080, accurate color reproduction, provides you natural and clear image; 250cd/sq.m brightness, 1000:1 contrast ratio, 178 Degree wide viewing angle, allows you to see clearly no matter you monitor from which angle.Rugged and durableEasy to dissipate heatThe full aluminum alloy frame not only make the device more solid and durable, but also solve the problem of heat dissipation.Accurate Color ReproductionUse Rec.709 color standardAccurate color reproduction is one of the important indicators for measuring professional monitors. ATEM215S built-in 3D-LUT, adopts the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory to ensure the consistency of color reproduction of each monitor.Flexible and Intuitive Button OperationWhen you are busy at the shooting scene, you need to be able to easily control the equipment, and the ATEM215S can meet your needs. It can switch between one-button sources, custom shortcuts, and quickly adjust brightness, contrast, volume, etc. to make shooting easier. The backlight button design makes it easier for you to distinguish the current input signal and the shortcut keys used, easy to use even in dimly lit studio or outdoor environments.Standard VESA Mounting PointsThe ATEM215S is equipped with 4 standard VESA mounting points, you can mount it in a rack or hang it on a wall. Flexible mounting for a busy newsroom.4x 3G-SDI Inputs and OutputPerfect SDI monitoringATEM215S monitors are the perfect choices to add SDI monitoring anywhere you need it. It comes with 4x3G-SDI signal inputs and outputs, suitable for multicamera shooting in crew, and simultaneous monitoring by multiple persons. In addition, it also with a HDMI input, RS485, GPI control interface, meet different needs.Multiple Power OptionsLong-lasting Power ShootingThe monitor provides 12V DC power interface, XLR connector and Sony V-mount battery plate for options.Professional On Set Monitoring ToolsAccurately focus and efficient monitoringThe monitor provides a series professional auxiliary monitoring tools, such as waveform, 3D-LUT, peaking filter, histogram, vectorscope, audio meter, time code, anamorphic mode, etc. All of functions can easy to select and operate from menu, also can set shortcut button or via GPI control. Effectively improve the efficiency of on-site shooting and post-production.3D LUT, Recreate Film LooksSupports up to load 36 custom LUTs3D-LUT is a table for quickly looking up and output specific color data. By loading different 3D-LUT tables, it can quickly recombine color tone to form different color styles. Built-in 4 DE-log LUT , you also can load the custom .cube file via USB flash disk (up to load 36).HDR MonitoringWhat you see is what you getSupports HDR (high dynamic range) monitoring, for incredible clarity and details, effectively enhancing the overall picture quality. When HDR is activated, you can select Gamma and Gamut corresponding to the company Sony, Canon, Panasonic, Fujifilm, Bolex, RED, ARRI.Accurate waveform monitoringSave your budgetBuilt-in waveform monitoring, you can choose from waveform (RGB Parade, YUV Parade, Y Parade), vectorscope, histogram, audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope mode ¼can be right/left adjustment). ATEM215S becomes the ideal choice for live production monitoring, so you no longer need to use a separate expensive scopes!Gynamic UMDTSL3.1/4.0 ProtocolATEM215S supports UMD of TSL 3.1/4.0 protocol, with 0-126 TSL address selection, and Max 16 letters displayed. The UMD inputs via RS485 port and outputs via RS485 port.Tally LightsGPI controls Red Tally and Green Tally, which not only can remind the photographer to enter the recording state, but also appreciate the convenience of TV shooting quasi-professional technology in your creation.Multiple Display ModeMeet different monitoring needsThe screen can be set to full screen, picture-in-picture and quad to meet different monitoring needs. In the picture-in-picture mode, the size and position of the sub-window can be adjusted. In the quad screen mode, supports SDI signal simultaneously display 4-channel audio meter and 4 time code.16-Channel Audio Level MetersThe monitor can de-embedded audio from SDI and HDMI. Support select any 2 channels audio to output via 3.5mm headphone jack. Under SDI audio, it supports max 16-ch embedded audio meters display. Under HDMI audio, only 2 channels audio displays are supported.Custom Menu SettingATEM215S provides 4 groups custom menu setting, which will be automatically saved after setting, and there is no need to reset when you turn on next time, saving time cost.Portable SunshadeNew extended screen sun hood, to acquire the ideal visual effect in almost all environments.Quad ViewSupports 4x 3G-SDI inputs.PIPYou can adjust the proportion and position of sub window.Brightness HistogramThe Brightness Histogram is a quantitative tool to check the picture brightness. The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left: Dark, Right: Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.Peaking Focus AssistThe Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the putline color between red, green, blue according to different tone of the subject.False ColorsThe False Colors filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.Exposure (zebras)The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. 1-100IRE adjustable.Check FieldCheck Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.Zoom In (4X, 9X, 16X)Image zoom is to enlarge the image to 4X, 9X even 16X high-quality close-up.Anamorphic Mode (1.3x, 2.0x, 2.0x mag, User-defined adjustment: 1.20X-2.00X)Built-in selection of no squeeze, 1.3 x or 2.0 x allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0 x mag mode, magnifies the center of your image so you can check the focus of your scaled image.Pixel to PixelEnable the filmmaker to check the image from the 1:1 signal source without scaling. This feature is essential for capturing optimum detail.Time CodeShows the time code of the SDI signal.Center Marker & Safety MarkerSafety Marker for View Finding and Composition (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1, user). You can switch the Mark color between Yellow, Cyan, Purple, Red, Green, Blue, White and Black according to different tone of the subject.Live BroadcastThe perfect monitoring for multi-camera production of studioWhen you are working on a multi-camera studio production, you need to see all of your sources, graphics and program displays at the same time. The multiview monitoring mode of ATEM215S lets you see everything. Tally is included in monitors so you get red or green indicate light for on air and preview status indication on the monitor itself. The amazing clarity of the HD resolution screen means you can easily check focus and watch for color consistency across all of your cameras.Post ProductionGet a full overview of your monitorATEM215S is the perfect solution for seeing all of the video. All of SDI video inputs are with loop out, and supports 2K video format. Allows you get a real time overview of your all screens.