Dash from Diamond City

Tick, tap, tap—tap, ticker—ticker—tapper—tapper; tick—teck, tacker—tap went a typewriting machine, and scratch—scratch went two pens, in one of the minor offices connected with that vast wealth-producing industry known as the De Beers Diamond-Mines, where, seated at desk and table, three young men were hard at work, one manipulating the typewriter, one writing a letter, and the third making entries in a fat leather-covered book with broad bands and a big letter distinguishing it upon the back. The words: “minor office in a diamond-mine,” naturally suggest wealth, Turkey carpets, french-polished furniture, and plate-glass; but the office in question was an example of simplicity, for its walls were mud and its roof corrugated-iron, while the roughness of the interior was only slightly softened down by a lining of what a carpenter calls matchboarding. In spite of its vast wealth, Kimberley is still little better than a moving camp, and holds out few prospects of ever becoming a magnificent town.