Canon EOS C700 FF Full-Frame Digital Cinema Camera Body, EF Lens Mount

Canon's new EOS C700 FF top-end digital cinema camera features a full frame CMOS sensor designed to meet an extensive range of production needs. The camera's full frame sensor provides higher resolution and produce footage with shallower depth of field than Canon cameras with Super 35 sized sensors, giving filmmakers a variety of creative options. The EOS C700 FF is capable of ProRes and XF-AVC internal recording up to 4K to CFast cards. With the optional Codex CDX-36150 recorder, the EOS C700 FF is capable of recording 5.9K RAW up to 60 frames per second. When oversampling 5.9K in 4K/UHD recording, moire is suppressed and noise graininess improved, resulting in higher quality video compared to native 4K image capture. The EOS C700 FF also has a wide array of 2K/UHD/HD recording options, including recording up to 168 fps in 2K RAW in Super 16mm (crop) mode. The camera includes Canon's Dual Pixel CMOS AF (DAF) technology and has an impressive dynamic range of 15 stops. Other key features of the EOS C700 FF camera system include Canon Log 2 and 3, Slow/Fast Motion Recording, IP Streaming and support for ACES, SMPTE ITU-R BT.2100 (HDR) and User LUTs. The rugged magnesium body was built with rounded edges and semi-circular sides behind the lens mount that hint at the Canon Cinema design legacy. The EOS C700 FF can be equally comfortable handheld, shoulder-mounted, on a tripod head, steadicam, gimbal rig, jib, crane or car mount. New 5.9K Full Frame CMOS Sensor The EOS C700 FF Digital Cinema Camera offers a new full frame 5.9K CMOS sensor (38.1 x 20.1mm) with a 17:9 aspect ratio. In addition to full frame lenses, the camera can also be used with conventional Super 35mm lenses and supports both anamorphic and spherical lenses. The sensor is capable of capturing footage in a wide variety of aspect ratios. The new sensor also offers exceptional low noise, as well as broad-ranging tonality that exceed 15 stops of dynamic range with a wide color gamut. This helps the EOS C700 FF achieve more natural skin tones and a greater freedom in grading, expanding the possibilities for visual expression and offering outstanding effectiveness in HDR video production. The EF mount version of the camera also features Canon's Dual Pixel CMOS AF Technology. Modular Design for Versatile Shooting Configurations The EOS C700 FF Digital Cinema Camera features a modular design which allows for a wide range of shooting applications, supporting a variety of workflows. The EOS C700 FF is a full size cinema camera allowing for both traditional studio style and handheld configurations. The camera body includes built in cheese plates with numerous 3/8-16 and 1/4-20 threaded holes on the top and bottom to easily attach accessories. The top handle attaches in a variety of positions in order to achieve optimum balance. The EOS C700 FF power management system helps facilitate connecting with various third party accessories. The camera comes standard with a V-mount plate to accept common professional battery systems. External power supplies of +10 - 34 VDC plug into the camera via an industry-standard 4-pin XLR Style power connector. Camera accessories can be powered via a 24V DC 3-pin and a 12V DC 2-pin connector located on the front of the camera to help with cable management. ProRes Recording The EOS C700 FF records Apple ProRes to CFast media and the optional Codex CDX-36150 Recorder. ProRes recording can help significantly reduce the time and cost of transcoding video files for delivery. Simultaneous dual CFast recording in ProRes is possible for creating an immediate backup. Canon XF-AVC Recording The EOS C700 FF can record XF-AVC to two CFast 2.0 card slots on the camera right side of the camera. XF-AVC and ProRes formats (along with metadata) can be simultaneously recorded to either or both CFast cards. Simultaneous recording is helpful, for example, where one card might go to the post house and the other could be stored safely in the production company's archive. Relay recording is also possible for situations where changing cards and losing precious seconds is not an option, such as live events, nature and documentaries. Canon XF-AVC (Proxy) Recording An 8-bit 4:2:0 Proxy XF-AVC file can be recorded to an SD card for immediate editing. The SD card can also capture JPEG still frames (2048x1080 or 1920x1080), metadata, menus and other information. 5.9K Oversampling for 4K The EOS C700 FF Digital Cinema Camera uses a high-quality debayering algorithm when over sampling 5.9K in 4K/UHD recording to suppress moire and improve noise graininess, resulting in high quality video. Canon Log 2 and 3 The EOS C700 FF Digital Cinema Camera supports Canon Log 2 and Canon Log 3 Gamma. Canon Log is designed to reproduce, in post-production, the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with higher dynamic range, more highlight and shadow retention and more flexibility in grading. Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and the full 15 stops of dynamic range of the sensor, it requires more post time. For users looking for most of the benefits of log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops. SMPTE ITU-R BT.2100 Support for PQ/HLG Standard The EOS C700 FF Digital Cinema Camera features the option to output HDR formats conforming to ITU-R BT.2100 over the monitor input, to assist in HDR production. ITU-R BT.2100 allows compatible monitors to simulate the HDR look of the final piece allowing for easier lighting and other technical decisions on set during the acquisition process. User LUT Support The EOS C700 FF Digital Cinema Camera supports User LUTs. Users can customize their own LUTs and load them on the camera for viewing and recording. ACES Support The EOS C700 FF Digital Cinema Camera supports ACES 1.0 of the Academy Color Encoding System. Using Canon supplied IDTs, images captured on the EOS C700 FF can be imported directly into the ACES compatible systems. Additionally, video output from the camera can be monitored by selecting the ACES Proxy. Aces Proxy allows the camera to send a monitor output that simulates ACES space to a compatible monitor or device. Modifications made using the proxy output can be saved and later brought into the editing or grading suite to help insure changes and color choices made on set are accurately reproduced in post. Canon 17, 24 and 30-inch Reference Displays support ACES image display. The EOS C700 FF has four 3G-SDI outputs at the rear of the camera. So, while the Codex CDX-36150 records 5.9K RAW, the EOS C700 FF can simultaneously send the 5.9K image to a Canon Reference Display. The display debayers the RAW image and converts it to an ACES color space and apply an appropriate LUT. In addition to ACES, Canon's DP-2420 and DP-V2411 Reference Displays support HDR, Canon Log3 and Hybrid Log Gamma. Dual Pixel CMOS AF The EOS C700 FF Digital Cinema Camera features next generation Dual Pixel CMOS AF (DAF) Technology. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies. The EOS C700 FF has rapid one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. Face detection AF is another autofocus mode that can track a person's face in the frame and maintain focus on them. To further fine tune AF performance, the EOS C700 FF offers the ability to set the AF tracking speed and response. DAF also makes possible the Dual Pixel Focus Guide. Dual Pixel Focus Guide presents the user with a rectangle in the center of the EVF or monitor. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn gray and the arrows will indicate which way to adjust the lens to regain focus. A focus pre-set feature allows separate predetermined focus points to be selected and when the SET button is pushed, the lens will move focus from one mark to the other. Triple DIGIC DV 5 Image Processors "DiG!C" is Canon's acronym for Digital Imaging Integrated Circuit. The EOS C700 FF Digital Cinema Camera uses three DiG!C DV 5 image processors to power the advanced features of the camera. DiG!C works in conjunction with other subsystems of the camera such as the lens and sensor, to support the various features and the image processing engine. Internal ND Filters The EOS C700 FF features in-camera ND filters to help save production time and help increase shooting versatility without the need to change filters. The internal ND filters are selected with the ND FILTER + and - buttons on the left side of the camera. The camera uses an internal, all glass motorized ND unit. This combination of ND filters allows 2, 4 and 6 stops of ND in normal mode and 8 and 10 stops in extended mode. Anamorphic Lens Support The EOS C700 FF supports anamorphic format lenses by electronically desqueezing the image in the viewfinder and on connected monitors for viewing. On the sensor users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses that cover the full 16x9 area of the EOS C700 FF sensor. Popular 2x squeeze anamorphic lenses that cover a native 1.2:1 aspect ratio on the sensor can be used as well using a 4:3 cropped area of the sensor.