Audix Studio Elite 8 Complete Studio Microphone Package

The Audix STE-8 Microphone Package features a total of eight microphones and associated hardware for capturing instruments and vocals in studio recording applications. The package is ideal for multi-instrument capturing, drum miking, ensemble capturing, etc. All eight microphones are packaged in an aluminum flight case for rigorous, roadworthy travel and storage. i5 Microphone A dynamic microphone with clear accurate sound reproduction, the i 5 is able to handle sound pressure levels in excess of 140dB without distortion. Although most commonly used for snare drum and guitar cabs, the i5 is a perfect utility microphone for any studio and can be used to mic any instrument. The i5 features a proprietary VLMTM diaphragm which enables the microphone to capture tonality, transients and overtones accurately at the source. The i5 is an essential tool for any recording, whether it be a project studio or professional recording facility. D2 Microphone A dynamic microphone perfectly suited for rack toms, congas, percussion and horns, the D2 is designed for instruments requiring precise and accurate sound reproduction in the mid-bass frequencies. The D2, which features VLM capsule technology and the ability to handle hi SPL capabilities at close range, is lightweight, easy to position and a perfect compliment to the other microphones in the STE 8 package. For added convenience, the D2 microphones are provided with the DVICE tension fit rim mount drum clamps, which save set up time and space when using the mics for drum applications. D4 Microphone A dynamic microphone similar in profile to the D2, the D4 is uniquely tuned to provide an additional octave of low frequency response down to 40Hz. This makes the D4 a perfect choice for floor toms, large rack toms, leslie bottom, bari-sax, saxophone, bass flute, acoustic bass, cajon and any instrument or sound effect requiring precise low frequency reproduction. The D4 features VLM(tm) capsule technology for capturing transient response, hypercardioid polar pattern for close miking and sound isolation and precision machined aluminum housing for engineered sound control. With the added ability to handle sound pressure levels in excess of 140dB without distortion, the D4 is unmatched in size and performance. The D4 is provided with a DVICE tension fit drum clamp for added convenience when used with drums. SCX25A Microphone Shock mounted within an intricate machined brass ring, the SCX25A features an elegant design and a patented capsule suspension system, the capsule is completely isolated from the body and the circuitry. By successfully minimizing acoustic reflections and diffractions, the SCX25A delivers a pure, open-air sound with exceptional detail and realism. The SCX25A is ideally suited for a wide variety of acoustic instrument and vocal applications. The size, performance and profile of the microphone make it a perfect choice for piano, especially in situations where a short stick or closed lid must be employed. A pair of SCX25A mics make very distinctive drum overheads, ambient room or stereo acoustic guitar mics. In spite of the small footprint of the SCX25A, the microphone will provide a huge, natural sound for vocal tracks. Other features include a smooth uniform frequency response from 20Hz-20kHz, cardioid polar pattern, excellent phase coherence, minimal proximity effect and very low self-noise. A pair of SMT 25 shock mount clips are included with each microphone as part of the package. The SCX25A requires 48-52 V of phantom power. SCX1 HC Microphone The SCX1 HC is a hypercardioid pencil condenser microphone. The SCX1 HC features a 21mm gold vapor diaphragm, miniaturized low noise electronics, precision machined brass body and capsule housing, high sensitivity and pin-point accuracy. A great microphone for hi-hat, the SCX1 HC is also ideal for instruments that require close miking along with pattern control to minimize room sound or surrounding instruments. The SC1 HC requires 48-52 V of phantom power. D6 Microphone A dynamic low frequency microphone used for stage, studio and broadcast, the D6 is now the standard for miking kick drum. Also used for large toms, bass cabinets and other instruments requiring extended low frequency reproduction, the D6 is equipped with a VLM diaphragm for natural, accurate sound reproduction. The D6 is lightweight, compact and easy to position. Capable of sound pressure levels in excess of 144dB without distortion, the D6 handles everything from explosive transients of Taiko drums to the deep overtones of tympani, to the rhythmic percussive attack of a classic modern kick drum.