A Theatre of Disguise: Studies in French Baroque Drama, 1630-1660

Within a relatively brief period of time (1690-1705), Madame D'Aulnoy created a rich and diviersified collection of fairy tales which rank second in importance only to those of Charles Perrault. Through close readings of the various tales, Professor DeGraff demonstrates how the interplay of structural forms and themes can best be understood within the framework of psychological intepretation. This study is above all a sensitive and innovative approach to an author whose writings have not yet received the critical acclaim they so justly deserve. This work is accessible to specialists and non-specialists alike and will appeal to proponents of women's studies.